Showing posts with label evening style. Show all posts
Showing posts with label evening style. Show all posts

Thursday, 13 June 2013

Awards Style

Busy, busy, bzzz, bzzz! Things are rather quite hectic and full at present but I'm looking forward to a wee break soon. I'm having a few days of country/coast (not decided which yet!) and before that, in a week from today, I'll be at a building conservation summer school up north.

But I have a slight dilemma regarding the summer school because, as part of it, I will be attending a dinner at which I will be accepting an award for the thesis I submitted last year. And I'm really wondering... what does one wear to such a thing?? Do you think it would be a bit much to take my inspiration from the Hollywood stars...? Perhaps, just a little...

Audrey Hepburn, 1954 (Image source: Fred Baby)

Grace Kelly, 1955 (Image source)

Sidney Poitier and Julie Andrews, 1965 - loving the yellow! (Image source


Saturday, 29 December 2012

New Year's Barbie Doll

Now, unlike many of my readers, I don't ever tend to shop for clothes online. I think I can recall only one time that I bought an item of clothing online, and that was because I was desperately looking for a green dress suit for my Birds costume last year and I thought my chances of finding something so particular in the real world was very, very slim.

However, I am on the Beyond Retro emailing list and I generally tend to have a quick, idle browse of their online shop whenever an email comes in. You never know. Today, I came across this amazing item:

1960s peachy pink dress at Beyond Retro

Oh. My. Goodness. It's literally like something Barbie would wear. Something classic Barbie would wear. At first I had in my head the chiffon and sparkles of Day-to-Night Barbie's evening outfit:

Day-to-Night Barbie (Image source)

But then, in looking for images of Day-to-Night Barbie, I came across pictures of Peaches 'n' Cream Barbie, another one from my personal childhood collection. With her peachy, fluffy stole, you just need to change her ballgown-length skirt to a mini and that dress is her outfit:

Peaches 'n' Cream Barbie (Image source)

I can't deny that the dress had me very, very tempted... Especially with New Year's Eve but days away. However, even if I'd ordered it today, it wouldn't have made it in time for that. Besides, I think it might be a tad too small for me. And it's not my colour at all...

Still, the temptation of being able to transform into one of my childhood Barbies by slipping on this dress leaves me unable to put it completely from my mind. I'm still toying with the idea of ordering it up, trying it on, and taking advantage of the returns policy if it ends up being completely wrong. Naturally, the Cat thinks I'm completely mad. 'Why would you want to be dressed like Barbie?', he asks. Pfft, what do boys know?

Anyway, let's just pretend for a moment that I do have that dress, it fits perfectly, and I have lots of spare cash to turn it into a complete Barbie doll New Year's Eve outfit:

Diamond necklace by Harry Winston, found here;
Jimmy Choo clutch and peep-toe shoes, found here and here

Perfect! There's my dream New Year's outfit sorted.

Now I just have to think about what I'm actually going to wear in reality... But really, that shouldn't be too much of a problem. It's not like I needed that dress because I was short on items or anything. In fact, I have an overabundance of party-appropriate dresses in my wardrobe vying for a night out on the town.

Thursday, 21 June 2012

Ballgowns at the V&A

Image source: The Guardian

Recently, I went to see the new exhibition at the V&A Museum - Ballgowns: British Glamour Since 1950. I had been looking forward to seeing this, and when I recently bought membership for the V&A, I decided that this would be my first exhibition with my fancy new card.

There were some delightful dresses and I really enjoyed the way that they had chosen to curate the exhibits. Instead of going chronologically or some other such way, they grouped together dresses by colour palette. It was fun to see dresses from, say, the '50s, '70s and '80s side by side with almost exactly the same shades and combinations of colour.

Yellows and oranges. The '70s number here (second from left)
was surprisingly one of my favourites. I'm not usually a '70s
girl, but I just found it so simple and elegant
(Image source: Vogue)

Reds and blacks. (Image source: Vogue)

Corals. I was fascinated by the kaftan dress on the left.
I couldn't quite work out whether there was actually anything
holding the sides together. Would be quite fun to wear, I think.
(Image source: Vogue)

Naturally, I loved practically all the '50s dress and most of the '60s, but I also found something to like in every era. When I moved up to the present-day dresses on the upper floor I was rather underwhelmed though - somewhat ironically as the dresses there felt like they were desperate to make a statement and grab some attention. But for me they felt somehow soulless. Perhaps because they haven't stood the test of time... Or perhaps because, being modern, it was just like going into Top Shop or some such, which I always find depressing...

Give me old fashioned elegance any day (Image source: Stylist)

Despite all the lovely vintage dresses downstairs, I have to confess that I would have been slightly disappointed if I'd paid to get into the exhibition. It felt rather thin somehow. I think my main complaint would be the lack of interpretation. There was hardly anything to put ballgowns into context or to chart their development - the information boards could basically be summed up in one sentence: "People used to wear ballgowns to debutante balls and other such events, now celebrities wear them on the red carpet". A few select dresses had further information but I felt that so much more could have been said to draw out the viewer's appreciation and understanding of the dresses and how fashions have developed. As it was, it just felt kind of like window shopping... Except I couldn't walk in and try any of them on! I was also frustrated about the lack of mirrors in some of the display cases. There was one amazing 1950s dress with some lovely detailing around the waist - I would have loved to have been able to see how it was constructed at the back and a well-placed mirror would have enabled that. I think such simple measures might have encouraged more overall appreciation of the dresses' structure and craftsmanship.

So, despite some undoubtedly lovely dresses, not necessarily one to hurry off and see. The recently re-opened fashion galley is looking great though. I only had a quick look around the permanent exhibits but will be going back for a proper visit some time. And I will also return with a review of the V&A's other current exhibition British Design 1948-2011 once I've been to that. I've heard good things about it from a couple of workmates so I'm looking forward to it.

Friday, 17 February 2012

Age of Elegance at the Guildhall

Next Friday, I am breaking my thesis-derived ban on fun to head to the Guildhall Art Gallery's late night opening for their new exhibition, The Age of Elegance. I spotted this ages ago when I was looking up information on their previous exhibition back in November or something, and it's been firmly in my diary since.  Try as I might, Friday nights are never productive anyway (as evidenced by the fact I'm blogging right now), so why not head out on the town?

The exhibition itself is a celebration of the fabulous years between 1890 and 1930.  So much happened between those decades in terms of style and social convention that at first it's kind of hard to see how it will all connect up.  But then when you think about the fin de siecle, Bohemian, wild abandon in the late Victorian era, and compare it to the interwar Jazz Age of Gatsby-esque decadence and luxury, I suppose there are currents which run through...  Something which I expect the exhibition will explore and which I look forward to seeing.

Lady Lavery by her husband, John Lavery
(Image source: Guildhall)

... And then there's the chance to have a little dance and a cocktail or two.  This special, late opening evening has been dubbed The Cat's Pyjamas and promises lots of entertainment in the Jazz Age vein, including a swing band and cocktail bar, as well as more quirky entertainment such as "spoken word cabaret".

Now, all I need to do is decide what to wear.  The temptation to wear 1920s, silky nightwear to play with the Cat's Pyjamas theme is great but I would have to source a new outfit for that.  Instead, I think I'll just have to go with what's in my wardrobe as I won't really have the chance to shop before then.  Unfortunately, my wardrobe doesn't particularly cover this period (love it, but the dresses never seen to suit my figure) but I'm sure I will manage to find something "inspired" by it...  Watch this space!

Friday, 27 January 2012

Ballet Blue

My wonderful mother and I both opted for blue floral dresses when we went to see The Nutcracker at the Royal Opera House earlier this month.  Great minds think (and style) alike.  We had to get some photos of our accidental coordination...  

My outfit - Dress, petticoat, gloves: all Beyond Retro; shawl: somewhere on Chalk Farm
Road; shoes: can't remember!; hair flowers: Accessorize.
Mum's outfit: Dress: vintage shop in Glebe, Sydney; shirt: can't remember!;
boots, scarf: charity shop (original origin of the boots: Italian!).





All photos courtesy of The Cat, who joined us for the show.

We had a lovely night.  The show was beautiful!  It was the first time I've ever been to see a ballet (unless you count going to my sister's recital when she was about 10 and I was about 4) but I'd love to go again some time.  The Royal Ballet is putting on a production of Alice's Adventures in Wonderland in Spring, which sounds quite tempting...  Unfortunately, as you'll know, I'm scheduling my life around my thesis right now and Alice's run falls at what I anticipate is going to be a rather hectic moment.  Oh well, there'll be something else in the not-too-distant future, I'm sure.

Tuesday, 18 October 2011

The Greatest Hotel in London

One of my favourite items in the small museum in the Savoy is the letter addressed to "The Greatest Hotel in London", on which the person at the mail sorting office has written "Try Savoy Hotel, WC2". And I think I would have suggested the same, as this really is a wonderful place.


Now, I know this is my THIRD post about the same evening but really, the other two posts weren't so much about the hotel and the loveliness on offer there.  I really wanted to dedicate a post to the place itself.

Unfortunately, I didn't take many photos of the hotel itself to share with you.  That's largely because it's one of those places that has an air about it that makes you want to just swan about, rather than desperately click away with a camera...  But not to fear, I borrowed some from their website instead, just to give you an idea of the place.

(c) Fairmont Hotels

(c) Fairmont Hotels

(c) Fairmont Hotels

(c) Fairmont Hotels

(c) Fairmont Hotels

The hotel was built in 1886-1889 for Richard D'Oyly Carte, while the forecourt was remodelled in the 1930s, hence the Art Deco elements.  The building is listed Grade II and, in the words of English Heritage's description, "D'Oyly Carte conceived his innovatory hotel on the latest American model, and exceptionally for its date, 70 bathrooms were provided as well as hydraulic lifts and electric light throughout.  It was, however, the brilliant management of Ceser Ritz combined with the talents of the great Escoffier that ensured the Savoy's success in the highest echelons of society, attracting to a hotel for the first time the nobility and the Prince of Wales' circle."  

One of the particularly American features of the hotel was the bar, which served drinks in the American style, i.e. mixed cocktails.  Apparently it was one of the first of its kind in London and is the longest-surviving.  Harry Craddock is probably the most well-known of its head barmen, having compiled The Savoy Cocktail Book in 1930 but another one to note is Ada Coleman, who worked there between 1903 and 1924.  Yes, you read correctly, Ada - she was a woman, which I think is just swell!

Along with the American Bar, there's now the Beaufort Bar which specialises in champagne and is located where the cabaret stage used to be, and the Thames Foyer which is light and airy and where you would go to indulge in afternoon tea.  And that's before you even more onto the restaurants...

On my recent visit, we went for the American Bar.  It was fabulous, particularly with the pianist playing all the classics and the charismatic waiters serving us.  Though I would highly recommend a visit if you're able to get there, I also thought I'd tell you about some of the cocktails and give you the recipes in case you fancied trying them for yourself at home.  Yes kids, DO try this at home!

First, the Champs Elysees:


The menu describes this as a complex, slightly herbal drink in the traditional martini style.  You will need:

1 1/2 oz brandy
1/2 oz Chartreuse Verte
Juice of 1/4 lemon
Dash Angostura bitters

Shake ingredients with ice and strain into a chilled cocktail glass.  You can also add 1/2 teaspoon of sugar if you don't like your drinks too bitter.

Next, the White Lady:

The glass unexpectedly and delightfully matched my dress...
Unfortunately, this means you can't actually see what the cocktail itself looks like.

This one apparently needs no description as the menu doesn't actually tell you what it involves!  All I knew was that it was the one famously associated with The Savoy, and that was enough to get me to order one up.  Fortunately, I was pleasantly surprised.  Surprised because I expected something creamy, pleasantly because I actually prefer non-creamy cocktails... and this one was damn tasty too.  If you want to try it for yourself, you will need:

2 oz dry gin
1/2 oz Cointreau
1/2 oz lemon juice
1 egg white

Again, just shake those ingredients with ice and strain into a chilled cocktail glass.

If you still fancy more after those, you should get yourself the aforementioned Savoy Cocktail Book, which is still in print and available to buy.  As the introduction to the original edition described it:

Being in the main a complete compendium of the Cocktails, Rickeys, Daisies, Slings, Shrubs, Smashes, Fizzes, Juleps, Cobblers, Fixers and other Drinks, known and vastly appreciated in this year of grace 1930, with sundry notes of amusements and interest concerning them, together with Observations upon Wines and their special occasions.  Being in the particular an elucidation of the Manners and Customs of people of quality in a period of some equality.

Now, if that doesn't sell it to you, I don't know what will.

Chinchin!




Monday, 9 May 2011

The Other Dress

Right, I'm not really an obsessed monarchist but I just have to return to the Royal Wedding one more time. Then I promise it will all be over. I just wanted to share this dress with the world. No, not the wedding dress as everyone in the world has already seen that numerous times. And no, not Pippa Middleton's dress either. But rather, it's Kate Middleton's frock from the evening reception.

Like the wedding dress, it was designed by Sarah Burton of Alexander McQueen and, it has to be said, is absolutely stunning: a strapless white satin gazan gown with dimante around the waist and a white angora bolero cardigan. So Fifties, so fabulous. The girl got to shift between two of the best decades in one evening - from 1940s-inspired wedding dress to 1950s-inspired reception dress. Probably really only half a decade style-wise, now I think of it. Transitioning from late 40s to early 50s. But the important thing is - such taste!

My only disappointment with it was when I saw the full-length picture. My first glimpse of it was just to below the waist and so I wasn't sure what the hemline was like. I envisaged a skirt just below the knee, finished off with sweet heels in the same style and colour scheme. I'm not quite so keen on the full-length hemline but, considering everything else about it is so right, we'll let that slide.